Friday, November 11, 2016
Freud and Barthe on Writing
This essay impart be disembodied spiriting at 2 passages from Freuds fictive Writers and Day-Dreaming and Barthes The last of the Author. Both make statements almost the position of the reader. Both Freud and Barthes theories will be applied in copulation to two of my proclaim mortalal experiences with imaginative works. Which are especially evoke to hold back at in relation to the passages provided. These works will be the story driven depressed Dog video- mettle somewhat The Last of Us released in 2013 and the Francoise Sagan novella Bonjour Tristesse earlier published in 1954. I will treat the video-game as a text draw on McLuhan theory on media, for McLuhan lit is a ordinary the book is an extension of the centre of attention (gutnburg glixy). We can also appear at the video games as a medium, similarly to belles-lettres as a medium, and when you look at both literature and video games as a medium you an compare them, in a video game you are the reader of th e game/story but flesh it as you read it. From the description of the freud quote it is still an flirt of reading but a more direct one. The kind between the producer an pass receiver is different in video games but there are also very interesting parallels with the author and reader of a novel.\nFreud argues in his essay Creative Writers and day-Dreaming, and in particular in the passages provided in the question that the utilisation of the reader in both imaginative work stems from the event that we are subject to go bad out our fantasies and day- inspirations without feeling the pathos or self-reproach attached to these thoughts. For example if one was to dream about a manners in which he was able to do whatever he wanted, for all the women of his dreams to fall at his feet and for him to be the ultimate man, rich, good-looking, intellectual and heroic, he would feel some form of shame or self-reproach because in human beings this is of course not the case. If this person was then to read a novel in which the priapic protagonist had ...
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